A guitar workshop in Paracho, Michoacán, the luthier working on a classical guitar body surrounded by guitar molds and wood pieces, finished guitars hanging on the workshop walls, the Purépecha highland town visible through the window
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Paracho

"The cedar and spruce come from the surrounding sierra. The design comes from the Spanish. The skill has been here since the 1550s. Paracho produces more guitars than anywhere else in the world."

Paracho de Verduzco is a Purépecha highland town in Michoacán at 2,100 meters that produces more guitars per capita than anywhere else on earth. The National Guitar Fair held each August brings musicians, buyers, and craftspeople from across Mexico and internationally to a town of 12,000 people that has perhaps 600 active guitar workshops — approximately one for every 20 residents.

The origin: the Franciscan friar Vasco de Quiroga (the same bishop who planted the olive trees at Tzintzuntzan) assigned specific craft trades to specific Purépecha communities around Lake Pátzcuaro in the 16th century as part of his utopian vision of specialization — one town would make copper objects, another lacquerware, another textiles. Paracho was assigned musical instruments, specifically the European string instruments that the Franciscan missionaries were using to teach Catholic liturgical music to the Purépecha converts. The assignment stuck.

The Purépecha luthiers of Paracho learned the classical guitar making technique, refined it over five centuries, and produced a regional style that is now internationally recognized: the Paracho guitar, characterized by cedar tops (from the local sierra rather than the spruce preferred by European luthiers), distinctive decorative rosette patterns inlaid around the sound hole, and a construction method that prioritizes affordability without sacrificing structural integrity.

The Workshops

Walking Paracho’s main street and side streets is a tour through guitar production at every stage. The workshops are houses with their front rooms converted to show floors; the actual production happens in the back rooms and covered patios. The stages visible in different workshops:

Wood selection and drying: the tops (soundboard) from local white cedar (Cupressus lusitanica) and the backs and sides from rosewood, mahogany, or the regional hardwoods.

Mold construction and bracing: the internal bracing of the soundboard, the precise fan-bracing pattern that transmits string vibration through the top.

Binding and purfling: the decorative strips that edge the body, often in contrasting wood colors.

Finishing: the shellac French polish or nitrocellulose lacquer that seals and protects the surface.

The range of quality in Paracho is enormous — from the student guitars sold at the market for 500 pesos to the master luthier instruments sold for 15,000-80,000 pesos that compete internationally. The workshop owners are generally willing to explain what distinguishes the levels.

The interior of a Paracho guitar workshop, multiple classical guitars in various stages of construction, the cedar tops and rosewood sides visible, the master luthier examining the bracing pattern of a soundboard, finished instruments on the wall behind

The August Fair

The Feria Nacional de la Guitarra (National Guitar Fair, last week of August) transforms Paracho into a music festival: concerts in the plaza, guitar competitions, luthier exhibitions, and the market of the year when the workshops display their best work and buyers come from Mexico City, the United States, Europe, and Japan.

The concerts during the fair span classical, folk, and popular guitar — the Paracho instrument is associated most strongly with Mexican folk music (the guitarrón, the requinto, and the standard guitar of the mariachi and the son traditions all have Paracho-made versions in commercial circulation) but the classical guitar makers of the highest level produce instruments played in concert halls internationally.

The Surrounding Sierra

The forests above Paracho supply the cedar and some of the hardwoods that go into the guitars — the connection between the living forest and the instrument in the workshop is traceable and local. The Cherán autonomous municipality (covered separately) is 20 minutes north of Paracho; the two towns are in the same Purépecha cultural zone, and the reforestation effort that Cherán has undertaken since 2011 is relevant to Paracho’s cedar supply.

A finished classical guitar from a Paracho master luthier, the cedar soundboard with its intricate mosaic rosette visible, the rosewood back and sides, displayed on a wooden stand in the workshop, the Paracho street visible through the doorway behind

Getting there: Bus from Morelia (1.5h) or Uruapan (45min) to Paracho. The town is on the main Uruapan-Zamora highway. Walk the main street from the bus drop; the guitar market and workshops begin immediately.

When to go: Year-round for guitar shopping. Last week of August for the Feria Nacional. The highland climate is mild; December through February nights are cold (5-8°C) but the days are clear and the workshops are warm.