The church of Saint-Symphorien in Nuits-Saint-Georges with vineyard rows running up the hillside behind it at golden hour
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Nuits-Saint-Georges

"Nuits-Saint-Georges was never the glamorous one. It just kept being good, year after year, and now everyone comes around eventually."

The Côte de Nuits town whose robust, unfashionable reds have outlasted every trend and aged into something like vindication.

The D974 runs straight through Nuits-Saint-Georges, which gives the town a slightly blunt character — it is a working-road town, not a tourist-cobblestone one. Trucks pass. Tractors during harvest. The town does not arrange itself prettily for photographs. This is one of the things I like about it. The Côte d’Or is full of places performing their own charm, and Nuits-Saint-Georges — larger than most of the wine villages, a proper market town with a butcher and a pharmacy and a brasserie where workers eat lunch — is refreshingly indifferent to the performance.

The wines of Nuits-Saint-Georges have had an odd trajectory. In the nineteenth century they were the most fashionable pinot noirs in Burgundy — exported to Britain and Russia in enormous quantities, the preferred red of the Russian tsars, famously recommended by Louis XIV’s physician as a health cure. Then Gevrey-Chambertin and Vosne-Romanée attracted the critics, the collectors, the stratospheric prices. Nuits-Saint-Georges never got a grand cru — a matter of long-running dispute — but its premiers crus are numerous and the best of them, the Les Saint-Georges parcel in particular, are as compelling as almost anything made on the slope. The wines are robust and a little animal, with more tannin than the silky Vosne wines to the north. They take longer to open. They reward patience rather than display.

A wooden crate of harvested pinot noir grapes at a Nuits-Saint-Georges domaine during the October vendange

I spent two nights at a small chambre d’hôte run by a vigneron family — one of those arrangements where breakfast is bread and jam and coffee and also sometimes a glass of whatever they opened the night before, because it is that kind of house. The vigneron himself, a compact man in his fifties with extremely calloused hands and a dry sense of humor, took me into the cellar after dinner on the second evening. He pulled barrels open with a wine thief, letting me nose the juice at different stages of fermentation. The 2022 in the barrel smelled of ripe cherry and something darker beneath — he said he thought it would take eight years. He was matter-of-fact about this, the way farmers are matter-of-fact about everything that takes time.

The archaeological museum in the town centre is an undervisited pleasure — excavations here found a Roman settlement of some significance, and the objects on display (bronze figurines, surgical instruments, a carved stone representing a Gallo-Roman goddess) sit in quiet cases and remind you that people have been farming this valley in serious ways for a very long time. The Romans brought wine. The monks refined it. The vignerons inherited it. There is a continuity here that the wine itself somehow expresses, which is either the most romantic or the most pretentious thing I could say about a bottle, and I choose to believe it anyway.

A carved Gallo-Roman figurine displayed in the Nuits-Saint-Georges archaeological museum, bronze, first century

For dinner I went to a restaurant on the main road — a place that has existed, with various owners, for decades. The menu was short: jambon persillé, oeuf en meurette, a choice of two main courses. I had the oeuf en meurette — poached eggs in a reduction of red Burgundy with lardons and mushrooms and croutons — and it tasted exactly like the place and the season.

When to go: September harvest is vivid and energetic. The town’s Saturday market is worth building a weekend around. The winter months are quiet but not lifeless — the cellars are busy with the new wine, and the producers are more available and less harried than during harvest season.